Type Illy hits ONYXCON!!

No response, Aug 18, 2009

 

The first ever black themed comic book convention in Atlanta happened at the Southwest Arts Convention this past weekend. It was a great event, with many independent comic book creators present. Fans came out HEAVY, y’all, and didn’t just HANG OUT - they spent MONEY! This is an important thing for independent creators, because we often have to take our product DIRECTLY to the people. If those people don’t support product they like, we can’t survive.

 

(The Next Movement in independent comics)

 

Onyxcon loved Southside Nefertiti. Fans really dug our comics, providing us with one of our best one day events ever. Issue # 3 (the Pencilism issue) sold out!

 

(Product ‘neatly arranged’ by my wonderful wife. I cluttered it all up as soon as she left!)

As an added bonus, my family really trooped for me. They came from all across Georgia to hold me down.

(The inspiration for Southside Nefertiti? You’re looking at ‘em…)

 

(Me and Cousin ‘A’)

Overall, it was a great event. Joseph Wheeler organized a great con that is already one of the best in the ‘black comic chitlin’ circuit.’ If it continues, it could easily become the biggest. Props to him, props to the city of Atlanta for supporting independent black artists, and props to all the other artists who showed up and made it a huge success.

Click here for more pictures from Onyxcon.  Click on the video below to see your boy trying to act like he knows a little something about comics.

 

ILLYVIEWS! featuring Doruinda D. E. Nusum

No response, Aug 18, 2009

Type Illy continues our efforts to profile new, underground artists that need more shine. This time, we highlight Christian author Dorinda D.E. Nusum. I had the great pleasure of meeting her at my first Charlotte Literary Festival. She’s been a great supporter of TYPE ILLY and our collaborations have been quite fruitful. Please check our her website and support her latest work, The Back Pew Crew.

  • How long have you been writing novels?

I have been officially writing novels since 2003. Prior to that time, I wrote plays. I wrote several for church groups, schools, and other community events. I also wrote poetry and short stories, but I never had them published. I wrote merely to entertain myself.

  • How did you get into the field?

I have always enjoyed writing. From the time I learned to use a pencil, I collected all kinds of paper and wrote as much as I could. I have always enjoyed reading also. My favourite author as a child was Judy Blume. Her books were so engaging that I read them one behind the other and rarely took breaks in between. I never tired of books or of writing utensils. I was determined to pursue a career that would allow me write. I decided upon teaching and of course, English/Language Arts. During one of my English classes in college, I had a professor who said, “You’re not considered great because you read good books, you’re considered great when you write them.” That stuck with me and it was then that I decided to turn my hobbies into something more. I began writing for small community events and now I write hoping the nation will discover who I am and enjoy my works.

  • What inspired or influenced you?

Great authors and great orators have always inspired me. I’ve always admired those who manage to create art using words.

  • Who are your favorite writers?

I have several favourite authors. Among those are T.D. Jakes, Terry McMillan, Eric Jerome Dickey, ReShonda Tate Billingsly, and as of late, Pat-O-George Walker. While our writing styles and for some, our genres are different; I appreciate the way each of those authors skillfully makes use of language.

  • Why Christian fiction?

I am a Christian and writing Christian fiction is a good way for me to get a message across to others without coming across as preachy. Writing Christian fiction allows me to evangelize, testify, and to glorify!

  • Are you comfortable with Christian fiction kind of being in its own section of the bookstore, away from White Christian fiction? Would you rather it be mixed in with everything else?

I don’t mind that African-American Christian fiction is set aside from other works of fiction. Everyone looks for something to read for which he or she can identify. It doesn’t matter where a book is positioned within a bookstore. If it’s meant to be read, it will be found.

  • The church is often a touchstone to the larger issues in our community. Since your writing often deals with the church, do you feel compelled to bring ’serious’ issues from our community into your writing, or do you just write stories?

The types of stories I write are based on serious issues. Sins and Sacrifices and The Victory deal with adultery. Both books also touch on the fall of man, particularly fallen clergy. I felt it necessary to remind the community that we should strive to serve God, not man. I’ve heard so many complaints from people who have either left their churches or changed their religious views as a result of a fallen pastor. The notion is ridiculous since we should never place that much faith in flesh. The church serves as both a home for saints and a hospital for sinners, and the pastor’s membership does not give grounds to make him or her exempt. The service applies even more to them because they are leaders. They are at the front of the line. They are held highly accountable.

  • What types of themes do you prefer to deal with in your writing?

My writing deals with man vs. man (criticism), man vs. himself (inner struggles), man vs. society, and man vs. the supernatural (God). Each of my characters deal with some type of conflict that is representative of conflicts placed upon society as a whole.

  • There is a set of the literary world that looks down on ‘urban fiction’ and ‘urban Christian fiction’ as being too low brow and not high minded enough, or not the province of serious writers. What do you say to that criticism?

To the criticism that urban literature is not high-minded enough to be deemed of quality is a statement that those in the minority are still considered second class. Urban literature is designed to cater to the interests of the middle class, those who have struggled and who continue to struggle, whether financially, emotionally, spiritually, or otherwise. Urban literature uses language for which the average reader can understand and relate. Those of a more elitist standing fail in that only a select few can read and ingest the messages contained within their works. Urban literature is easy to understand, appreciate, and to is more in tune with real life experiences.

  • Any plans to write under other themes?

I don’t have any immediate plans to write under other themes. I am still striving to perfect my current themes (She smiles).

  • I have heard the complaint that black people don’t read or that we don’t read the ‘right stuff.’ What’s your response?

Blacks have always been readers and writers. They just haven’t been fully credited with either. The notion that blacks didn’t read the “right stuff” might be indicative of the fact that too much of the “wrong stuff” was being written. Urban Christian fiction is a genre that has grown rapidly over the years, which proves blacks have been hungry for good reads for quite some time.

  • Talk about your newest novel, THE BACK PEW CREW? What’s it about? Who inspired the characters?

The synopsis for The Back Pew Crew reads, “The Back Pew Crew tells of Sandra, who believes she has been commissioned by God to investigate the members of her church in an effort to weed out the saints from the ain’ts and to purify the sanctuary. Under God’s command, Sandra solicits the aid of three others to assist in her divinely inspired quest. Together, the group forms The Back Pew Crew. Among those who will be investigated is the pastor’s wife! If the First Lady isn’t safe, who is? Look out! Here comes The Back Pew Crew and along with them is coming a heap of confusion.” The concept for the book grew from the idea of gossips in the church. I thought it was time to use a bit of humorous shame to quiet them a little.

Banging new art!

1 response, Aug 18, 2009

Pencilism continues to do his thing. What’chall know about blazing hip hop art in high definition, 1080p style COLOR!?!

tenoraforupdate

Your girl Tenora, the face of the ‘DOUBLE R’ truce that covers Metro. She is the widow of Roberto Rojas, the original founder of the truce. Her community activism with kids - and Neefy’s crime fighting - are the biggest reasons the truce still survives.

Brianforupdate

Brian Grimes - a.k.a. ‘B.G.’ is Neefy’s ‘partner in crime.’ Brian is an officer in the federal G-Police program, developed specifically to combat the rise of super-powered criminals and terrorists. Brian’s unauthorized freelancing with Neefy often brings him into conflict with the authorities, but he refuses to stop for reasons of his own.

Oh yeah - Neefy has her own twitterpage: www.twitter.com/southsideneefy

Holla!

Go hard…

2 responses, Jun 02, 2009

Art by PENCILISM

Pencilism on the grind….

1 response, Jun 02, 2009

My artist is the hottest in the game, I don’t care WHAT y’all say…

People ain’t ready for when this book comes out…

‘I ssssaaaaaiiiidddd…!’ (c) ol’ dirty

You. Are. Not. Ready…(c) Jay